Monday, June 14, 2010

HINTS FOR COMMERCIAL AUDITIONS

Here's a little piece I contributed to about COMMERCIAL AUDITION HINTS in The Stage


Full text is below. You can also tune into John Bryne's site for more tips: www.showbusiness-success.com


Does anyone else have any success stories about how they booked a commercial job? Please write in to me here or at Facebook. 

Commercial Castings

When auditioning for a commercial most of the same rules apply as a for film or TV casting.
1) Make specific choices, and make sure you answer the “W” questions. These are the basic Stanislavski acting questions and yes, they apply to commercials.
            Who am I?
            Where am I?
            Who am I talking to?
            What do I want?
Know the answer to these questions so that you’re not acting in a vacuum.

The main difference between a commercial and film casting is that the ultimate goal in a film is to keep the audience watching, while in a commercial it is to sell a product.
2.) Therefore, know the product that you’re selling, and the specific ad campaign.  For example: Product: Federal Express. Slogan: “It’s not just a package. It’s your business.” You may not be able to do a lot of preparation in advance, but at the very least know this before you walk in the door, or ask your agent to find out.

3) Know your type. A lot of casting, regardless of genre, is about archetypes. In commercials, this is even more so the case. When you market yourself for a commercial, make sure you have identified the type that you can play well. I once ran into an actor friend of mine on the street, and he was dressed untypically in a bowtie, an argyle sweater, and a bookish pair of spectacles. When I asked him about his kit, he sheepishly answered that it was his “commercials costume”. Even though it’s not who he is in life, he and his agent know that those are the roles that he plays convincingly. So he markets himself that way and dresses the part. You may even have a separate headshot for commercials only. Commercial headshots tend to show a toothy smile; that’s what sells the conflakes.
4.) Lastly, Be open to play. Improvisation is a useful skill in commercial auditions. Commercial directors are less likely to be married to a script. It’s not Shakespeare afterall. When you walk into a commercial casting, there will be scores people in the room, balancing laptops and a cups of Starbucks. You won’t even know who the heck they are, but some will be copywriters, some from the ad agency, others from the product etc. They’ll be constantly revising the script and ideas for selling the product so the director may ask you to just take an idea and run with it. Don’t be afraid to go really far, and most of all have fun! 

Friday, June 4, 2010

VOICE OVER ACTORS NEEDED IN PRAGUE


Michaela Flenerova is looking for voice over actors in Prague who are native speakers of French, Russian and Spanish. Contact her at: +420 775386078 or misaflener@volny.cz. http://www.zastoupenihercu.cz

Thursday, June 3, 2010

BLOOD, LOVE AND RHETORIC AUDITIONS


Blood, Love & Rhetoric are having their 2010/11 season casting at Divadlo Inspirace, 12pm-5pm, on Saturday 12th June. Please bring a 2 minute monologue and we will give you a piece to improvise at the theatre. Contact info@bloodloverhetoric.com for more info.
B,L&R has a full season coming up with 6 major shows planned for 2010/11 kicking off with a large scale production of Othello in the Autumn.
www.bloodloverhetoric.com

Thursday, May 13, 2010

Prague FILM SCHOOL ACTING PROGRAM SCHOLARSHIP ANNOUNCEMENT

PFS SCHOLARSHIP AVAILABLE FOR THE FILM ACTING PROGRAM.
PFS offers a scholarship of 1500 EUR for qualified and talented students of acting. Applied to the one year program only. To apply, applicants must complete the normal admissions procedure, plus an obligatory audition.

Audition requirements:
One monologue, comic or dramatic, 1-2 minutes in length. Material can be from theatre or film scripts.
Options for audition.
1. By appointment. Applicants can audition in person with the head of the film department. Contact: nancy.bishop@filmstudies.cz
2. By video link. Applicants can tape their audition and send it as a link to nancy.bishop@filmstudeis.cz
nancy.bishop@filmstudeis.cz

APPLICATIONS DUE 31 MAY, 2010 for September, 2010 semester

Friday, May 7, 2010

LOCAL FILM SHOOTING IN PRAGUE


Peter Smith is shooting a comedy pilot this summer based around the tourist industry in Prague. He needs actors for the main parts:
Male, native English speaker (ideally British), 45+
Female, native English speaker, 32-38 y.o.
Female, 22-28 y.o.
There are also supplementary roles - receptionist, coach driver, barman, retired couple and elderly, ailing male. Anyone interested please get in touch.
I also require a cameraman and a sound guy for the project. We envisage an abrasive, shaky cam, documentary style.
The script is ready to go and I am looking to wrap the shoot in 2-3 days.
Anyone interested in this project, please don't hesitate to call Peter directly on 731729646 or email: peter.smith@tiscali.cz.

Monday, May 3, 2010

Acting Shakespeare Master Class in Prague

Acting Shakespeare Master Class
www.pragueshakespeare.cz


Acting Shakespeare Master Class
led by Sidney Berger
Artistic Director Houston Shakespeare Festival
May 17-19, 2010 (3 sessions)
17:00-19:00 (5:00pm-7:00pm)
Old Burgrave's Residence, Vysehrad
Prague, Czech Republic


The Prague Shakespeare Festival is pleased to announce that we will be
hosting a unique Acting Shakespeare Master Class featuring Sidney Berger,
Artistic Director of the Houston Shakespeare Festival, and one of the
world's foremost experts on Shakespearean Verse May 17-19, 2010 in Prague,
Czech Republic. Space for this exclusive Master Class will be limited to 30
participants and a select number of observers. This is a wonderful
opportunity to learn from one of the most respected Shakespearean Theatre
experts in the world.

SIDNEY BERGER is celebrating his thirty-seventh year as founder and
producing director of the Houston Shakespeare Festival. He is also currently
the John and Rebecca Moores Professor of Theatre; the former Director of the
University of Houston School of Theatre; and co-founder and producer of the
Children's Theatre Festival, UH's professional summer children's theatre. He
has directed many productions for the Houston Shakespeare Festival, and over
sixty at UH. As Associate Artist at the Alley Theatre he directed FRANKIE
AND JOHNNY IN THE CLAIR DE LUNE, T BONE N WEASEL, and ALL IN THE TIMING.
Other professional directing credits include A DELICATE BALANCE, BETRAYAL,
SIGHT UNSEEN and THE SUBSTANCE OF FIRE at Stages Repertory Theatre, where he
also served as Artistic Director. He also directed Albee's ALL OVER, with
Mr. Albee consulting. As well, he has directed JACQUES BREL for the QCC
Equity Theatre in New York, GREASE and MY FAIR LADY (with Noel Harrison and
Clive Revill) for Theatre Under The Stars and the film HOUSTON PROUD
narrated by Ben Vereen. In 1990 he co-founded and was elected President of
the Shakespeare Theatre Association of America, uniting all major
professional Shakespeare producers in North America. Dr. Berger also serves
on the board of governors for the International Shakespeare Globe Centre
project in London.

Cost:
Participants (limit of 30 total) - 1,500kč
Observer (limited seating) - 900kč for all days, 500kč for one day

To Apply and Request an Application form, email Guy Roberts:
guy@pragueshakespeare.cz

For interviews with Sidney Berger and more information contact:
Guy Roberts
Artistic Director
Prague Shakespeare Festival
guy@pragueshakespeare.cz